Soutine/de Kooning: Conversations in Paint – The Brooklyn Rail
Op Is Out-of-Town Art': Thomas B. Hess on MoMA's Show 'The Responsive Eye,' in 1965 – ARTnews.com
Studio magazine (Summer/Fall 2011) by The Studio Museum in Harlem - Issuu
'Op Is Out-of-Town Art': Thomas B. Hess on MoMA's Show 'The Responsive Eye,' in 1965 – ARTnews.com
Elaine de Kooning, Portraiture, and the Politics of Sexuality | Genders 1998-2013 | University of Colorado Boulder
Juanita Guccione: Otherwhere by Weinstein Gallery, Inc. - Issuu
/https://tf-cmsv2-smithsonianmag-media.s3.amazonaws.com/filer/78/f9/78f93abc-3d3a-49ca-8b71-2e92bd50c6bf/johnfkennedyek32npg9975web.jpg "Why Elaine de Kooning Sacrificed Her Own Amazing Career for Her More-Famous Husband's | At the Smithsonian| Smithsonian Magazine")
Why Elaine de Kooning Sacrificed Her Own Amazing Career for Her More-Famous Husband's | At the Smithsonian| Smithsonian Magazine
/https://tf-cmsv2-smithsonianmag-media.s3.amazonaws.com/filer/cb/f3/cbf32d8b-21ac-42e0-aedb-061ae48cc79c/elainedekooningselfportraitnpg9481web.jpg "Why Elaine de Kooning Sacrificed Her Own Amazing Career for Her More-Famous Husband's | At the Smithsonian| Smithsonian Magazine")
Why Elaine de Kooning Sacrificed Her Own Amazing Career for Her More-Famous Husband's | At the Smithsonian| Smithsonian Magazine
Projects 63 : Karin Davie, Udomsak Krisanamis, Bruce Pearson, Fred Tomaselli
On the Dot | Essay | Gagosian Quarterly
Lincoln Center
How Leo Castelli and MoMA Charted Today's Rocket-Fueled Art Market – ARTnews.com
Thomas B. Hess Biography, Art, and Analysis of Works | TheArtStory
Thomas B. Hess Biography, Art, and Analysis of Works | TheArtStory
Rachel Eggers, Author at SAMBlog
Elaine de Kooning - Wikipedia
Timeline of United States inventions (before 1890) - Wikipedia
Lynda Benglis | Pace Gallery
Willem de Kooning | Attic | The Metropolitan Museum of Art
Op Is Out-of-Town Art': Thomas B. Hess on MoMA's Show 'The Responsive Eye,' in 1965 – ARTnews.com
Music Reviews — Lonesome Highway
Apocalypse Now | Sotheby's
On the Dot | Essay | Gagosian Quarterly
